The New Woman and The Yellow Book: Commercializing The Female Body
© Samantha Baran, Ryerson University, 2020 Women in the 1890s Women were the inspiration and guardians for civilization in 1890s Victorian England. …
Re-imaging Space and Gender in the Child’s Fairy tale: Ambiguity in Evelyn Sharp’s, “The Restless River”
The Fin de Siècle Fairy-Tale During Britain at the Fin de siècle, fantasy was a genre that began to appropriate the …
The Black Madonna As The Symbol of Paganism and Feminism
© Copyright 2020 Laurie Beattie, Ryerson University Introduction We will be discussing, William Sharp, the creator of the Pagan Review and writer …
Fantasy as Feminist Critique in Olivia Shakespear’s “Beauty’s Hour: A Phantasy”
Noah Holder, Ryerson University, 2018 The Author, Their Work and Its Capsule Olivia Shakespear was born Olivia Tucker and married Henry Hope …
A New Woman as a Feminist Princess in Laurence Housman’s “Blind Love”
©Paris Salmon-Wright, Ryerson University 2018 Princess and the Feminist Movement I am curating Laurence Housman’s, “Blind Love” from the second volume of The …
The New Woman in Ada Radford’s “Lot 99”
© Copyright 2017 Abbie Lemay, Ryerson University Introduction “Lot 99” written by Ada Radford published in The Yellow Book Volume 11 is …
Queer Sexuality and New Woman Fiction in Charlotte Mew’s “Passed”
© Copyright 2017 Jamie Glazin, Ryerson University The Yellow Book, Charlotte Mew, Queer Sexuality, and The New Woman In Charlotte Mew’s short …
“She grew to look more like a restless, untamed spirit every day”: Gender Roles and the New Woman in K. Douglas King’s “Lucretia”
© Copyright 2017 Kody McConkey, Ryerson University K. Douglas King and Her Tale of Lucretia In my exhibit, I will be analyzing …